Vilmos Zsigmond
Camera
Born June 16, 1930 — Died January 1, 2016
From Szeged, Hungary
Also known as William Zsigmond, William Zsigmund
Biography
Vilmos Zsigmond (June 16, 1930 - January 1, 2016) was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. Zsigmond worked frequently with many leading American...
Filmography
Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson
20196.8
Spielberg
Self
20177.5
Close Encounters with Vilmos Zsigmond
Self
20166.9
—
Black and White in Color: Vilmos Zsigmond on 'Blow Out'
Self
2012
Side by Side
Self
20127.3
Woody Allen: A Documentary
Self
20116.9
A Cinematic Life: The Art and Influence of Conrad Hall
Self
20105.5
Louis
Hungarian Photographer
20103.0
No Subtitles Necessary: Laszlo & Vilmos
Self
20095.6
Who Needs Sleep?
Self
20066.8
Final Cut: The Making and Unmaking of Heaven's Gate
Self
20047.5
Z Channel: A Magnificent Obsession
Self
20047.1
—
Imagining Images
Self
20039.0
Who Killed 'Winter Kills'?
Self
20037.0
Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood
Self
20037.1
Return of the "Hired Hand"
Himself
2003
Vilmos Zsigmond Flashes 'The Long Goodbye'
Self
20027.0
Character Building: Inside 'Life As a House'
Self
2002
'Obsession' Revisited
Self
20017.3
The Making of 'Close Encounters of the Third Kind'
Self
20017.1
Light Keeps Me Company
Self
20007.9
Altman on His Own Terms
Self
20009.0
Big Guns Talk: The Story of the Western
Self
19977.0
Maverick
Albert Bierstadt
19946.9
Visions of Light
Self
19927.0